(The two pictures
above are of ancient theatres. The one on the right is that at the side of the
Akropolis in Athens, the same theatre where Aeschylus, Sophocles and Euripides
presented their plays. The one on the left is at Delphi, just above the temple
of Apollo. The author took these pictures during his trip to Greece in the
fall of 1993. To read a travelogue of his odyssey,
click
here.)
The first ancient text well
study is The
Homeric Hymn to Demeter. Demeters hymn is set at Eleusis, the ancient
religious center for the Mysteries, and provides a glimpse of Gaia, the earth
goddess, who forms the background for all Greek mythology and bears a special
relation to the seven tragedies. Demeter's hymn concerns the special
circumstances behind the first birth of Dionysus. Then well progress to Dionysus, patron god
of theatre as presented by Euripides in his play The
Bacchantes.
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Mt. Kithaeron as seen from Thebes |
The
marriage between Zeus and Hera occurred on top of a mountain, Mt. Kithaeron just
outside Thebes where most of the tragedies well read took place. But the
marriage was a troubled one because of Zeus many adulteries, one of which was
his liaison with Demeter. The result was the birth of Persephone, Demeters
only daughter. The story of Persephone and her mother is one of the most
important in all Greek mythology. Well study it in detail, since it will lead
us directly to the patron god of theatre, Dionysus. Dionysus was the twice-born
god, some say thrice-born, and the story of his life starts with the kidnap and
ravishing of Persephone.
First
on earth stands Gaia, the goddess Earth herself, and her most powerful
manifestation, Demeter, goddess of all things that grow on earth. The earth
goddess cult was in the background of all ancient Greek religion, and many
scholars believe this is an indication of a much older religion and even of a
more matriarchal society.
The
myth of the divine mother and daughter, Demeter and Persephone, is told in the
Homeric
Hymn to Demeter. This is just one of many hymns about the gods which were
not actually written by Homer at all but were written close to the same time
period. They were in the same epic style and for a long time the ancients
believed Homer did write them, (thus the term Homeric) and upon
discovering he didnt, treated them with indifference. The hymns were probably
used as preludes or warm-ups for the epic poems like
The
Iliad and The Odyssey as presented by the ancient rhapsodes.
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Demeter Sitting
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Initiates to the Mysteries
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In
the Hymn to Demeter, Hades, god of the
Underworld, kidnaps Persephone and takes her to his Realm of the Dead where he
ravishes her and she becomes his wife. Demeter wanders the earth looking for her
daughter but can find her nowhere. Finally, Demeter learns that Persephone has
been kidnapped by Hades and that Zeus, Persephones father, permitted it. She
demands Hades return her daughter to no avail.
Discouraged,
Demeter takes on mortal form and comes to Eleusis where she befriends the queen,
Metaneira, and becomes the caretaker of her son, Demophoon. Demeter decides to
make the child immortal. By night she puts him in the hearth flames and by day
anoints him with ambrosia. But Metaneira catches Demeter in this act and screams
seeing her child in the hearth. Demeter reveals herself as a goddess, and tells
them to build a temple to her.
Still
consumed by grief for her daughter, Demeter wont allow anything to grow, and
the earth is consumed by draught. The drought threatens to destroy all mankind,
and finally Zeus relents, requesting that Hades allow Persephone to return to
her mother. This Hades does but first feeds Persephone a single pomegranate seed
and because of this, Persephone has to return to Hades to be Mistress of the
Dead for one quarter of each year. Following the joyous reunion of mother and
daughter, Demeter introduces the people of Eleusis to her Mysteries where the
initiation is held every fall thereafter.
What
to look for in the Hymn to Demeter:
Structure:
Note the introduction and the ending.
Setting:
Note the physical details of Eleusis.
Note
the lighthearted character of the narrative, the fact that the earth goddess
herself, Gaia, caused the narcissus to grow and wide-pathed earth to yawn so
Hades might kidnap Persephone. Then the whole earth laughed for joy. How might
this indicate complicity in a divine conspiracy and to what purpose?
Further questions to consider:
If
we consider this Homeric Hymn an archetype of the feminine experience, how might
it differ from that of the male experience? Is the female experience defined by issues related to marriage and fertility; the male quest, by war
and adventure?
How
does the Hymn define the
relationship between mother and daughter? One of loss and reunion?
How
does the Hymn define Is the
relationship between father and daughter? One of remoteness and betrayal?
Toward
the mother, the father is inconsiderate and domineering but yields in the face
of the mothers resolve. The father gives away his daughter without the
mothers knowledge, an arranged marriage. How could the poem be viewed as a metaphor for the
institution of marriage in ancient Greece?
How
might marriage ritual then relate metaphorically to the salvation of the soul?
How does pregnancy and birth relate to the ancient Greeks view of the
salvation of the soul, which comes from the nativity scene in the Mysteries?
How
might Demeters putting Demophoon in the fire to make him immortal relate to
Dionysus fire-birth?
How
might the constant complaining of the people of Eleusis about the suffering
given to mortals by the immortals (the yoke about their necks) relate to
the suffering of Dionysus?
At
the end of the hymn, does Persephone appear angry over being kidnapped and
ravaged?
Does
the hymn relate to undercurrents in marriage and family relationships in the
modern world?
The
Meaning of the Demeter Myth
Ill have more to say about
Demeters Mysteries, but first I want to point out that the Hymn
is the myth founding marriage in ancient Greece and Persephones experience
was reenacted during each marriage ceremony. From the kidnap image, to the
chariot and the pomegranate. Scenes from the marriage ritual have been depicted
on vases since the 7th century BC. Some of these scenes are shown in
the attached figures. Note that the husband-to-be clasps the brides wrist in
a show of possession.
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The groom then takes the bride aboard his chariot for the
procession to his home where they both will live. Also note the torches carried
by the brides mother as she follows the marriage procession, much as did
Demeter searching for her daughter.
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All
women were viewed as manifestations of the earth goddess. Thats why fathers
recited the words, I give my daughter to you for the plowing of legitimate
children, when giving away their daughters. But the daughter was more on
permanent loan to her husband than his property. She had a dowry that had to be
returned if they divorced. Modern marriages join two people as one for eternity,
but that wasnt true in ancient Greece.
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Marriage
to the ancient Greek also carried with it the connotation of death for the
maiden. As Persephone descended into Hades realm to be married, so all
maidens underwent a ritual of symbolic death before marriage. This is termed,
marriage to death, and is a theme well see many times in the tragedies
well be reading. Since Demeter and Persephone are one and the same goddess,
part above, part below, so women also existed in this state. Women bring people
into the world, just as seeds planted in Gaia spring forth new life, and women
are also responsible for the dead, since the dead are reunited with mother
earth. Women mourned and prepared the dead for burial. This was their god-given
duty as manifestations of Gaia. But it went even beyond this. The Mysteries were
the gateway to the afterlife, and this gateway was Demeter/Persephone. Womens
bodies constitute a living metaphor for the relationship between this world and
the afterlife.
The Eleusinian
Mysteries were based on the Hymn
and constituted that part of the ancient Greek religion whereby they attained
everlasting life. Those who were initiated into the Mysteries would, following
death, join the gods in the Elysian Fields, the Isle of the Blessed. The
Mysteries were the most important religious rites practiced in Greece during
antiquity. The ancients believed the existence of Greece depended on them and
that they held the entire human race together. The word mystery comes from
the ancient Greek word
musthrion, meaning a religious truth revealing a
connection between the worlds of mortals and immortals known only by revelation
and never fully understandable by mortals.
The
Mysteries were a sixteen-day ceremony starting in Athens and involving many
sacrifices. During the last two days the initiates formed a procession from
Athens to Eleusis where they danced and attended a gigantic feast. The following
evening the initiates, who sometimes numbered in the thousands, attended the
initiation, which consisted of wandering in the dark blindfolded, drinking a
sacred decoction of pennyroyal and barley and witnessing the epiphany.
The
intriguing debate continues among scholars as to what actually took place during
the epiphany. It was kept secret under penalty of death, but many believe it
concerned the birth of a divine child, a nativity scene with the presentation of
a divine mother, Persephone, and her newborn son, Dionysus. We do know that the
high priest, the Hierophant, sounded a gong to summon Persephone from the
Underworld and that blinding flashes of light, visible for miles around, flooded
the interior of the Telesterion, the sacred building used for the ceremony.
Archeologists have found fire marks on the terrace dating back to Mycenaean
times. Socrates, in Platos Phaedrus dialogue, describes the impact of the epiphany on the
initiate:
then were we all
initiated into that mystery which is rightly accounted blessed beyond all
others; whole and unblemished were we that did celebrate it, untouched by the
evils that awaited us in days to come; whole and unblemished likewise, free from
all alloy, steadfast and blissful were the spectacles on which we gazed in the
moment of final revelation; pure was the light that shone around us, and pure
were we, without taint of that prison house which now we are encompassed withal,
and call a body, fast bound therein as an oyster in its shell.
This
then is the result, the impact on the individual of initiation into the
Mysteries, and the description comes from one of the greatest philosophers of
all time, Socrates through the writings of Plato. From
Pindar the early 5th century BC poet, we have the following:
Blessed is he who
hath seen these things before he goeth beneath the hollow earth; for he
understandeth the end of mortal life, and the beginning of a new life given of
god.
Further
discussion of the Homeric Hymn to Demeter:
Note
the lighthearted character of the narrative, the fact that the earth goddess
herself, Gaia, caused the narcissus to grow and wide-pathed earth to yawn so
Hades might kidnap Persephone. Then the whole earth laughed for joy. All this
indicates complicity in a divine conspiracy to work in favor of the daughter so
that she might become Mistress of the Underworld. The tone of the poem is one of
bemusement, of tragic necessity. The conspiracy lacks sinister intent.
But
Demeters grief is more convincing. Though the rest of the world seems
resigned to Persephones kidnap and ravishing, Demeter and Persephone are too
close to the action to have perspective on it. What then is going on here?
The
Greeks in their Homeric Hymns and tragedy pick up the non-literal part of our
lives, the subterranean current of life we call the mythical element. An
inscription was found on the island of Delos, which stated that Demeter and
Persephone, the Kore, were one and the same goddess. Some scholars believe the
epiphany of the Mysteries of Eleusis, upon which this hymn is based, was in part
the revelation that Demeter and Persephone were one goddess. Persephones
descent into the Underworld is a sort of death but points out that the goddess
exist both on earth and within the earth, the Underworld. We also know
that those who were initiated were destined, after death, to go to the Elysian
Fields where they passed away eternity in the presence of the gods. This pathway
to the afterlife was Demeter, one aspect of her in this world and the other
aspect in the next.
This
is reminiscent of the ritual all girls went through before they were married, a
marriage to death. They participated in a ritual where they sacrificed a lamb
that represented themselves as a maiden. The lambs death was symbolic of
their death as a maiden, a kore, and the only life left to them was that of a
young woman. All women were the physical manifestation, a metaphor, of the earth
goddess.
The point I would like to make is that,
since Demeter and Persephone were one goddess,
Demeters search for her daughter was in fact a search for herself.
The search for self is central to another famous myth, that of Oedipus,
and may indeed be central to all human existence. When we encounter this myth
later on, well have the opportunity to compare the two and see what
myth tells us about the essential difference between men and women. Womens
search for self [as a part of her dual nature] is the quest for eternal life.
Mens search [as also a part of his dual nature] is for a murderer.
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